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Logic Pro X Plugins: Channel EQ - How To Sculpt Frequencies
The controls on the Pultec are slightly unconventional — for example, the Low section provides both a Low Boost and Low Attenuation that can be applied at the same time! Though somewhat counter-intuitive, the walk-through details some of the unique sonic quirks that the Pultec is famed for, which, of course, can be perfectly replicated on the Vintage Tube EQ.
One feature common to all three Vintage equalizers is a Drive control, designed to replicate the small amount of soft saturation the original hardware equalizers would produce. Click on the outside to move in the original stepped increments or use the pot to sweep across the full range.
The Low Gain control works as a shelving equalizer, with a stepped or fully variable frequency control beneath the gain control.
Try a 60Hz boost on the drums to reveal the low-end of the kick. One well-loved technique with the original was a combination of deep high-pass filtering at 60Hz combined with a low shelving boost at Hz. The result is a tight, focussed bass-lift that keeps the extreme low-end clean.
You can either tame or boost the mid-range using the semi-parametric mid. In the example with the drums, listen to how a 3. The High Gain is another shelving control, this time set at a fixed position of 12kHz. Adding Drive brings out the soft saturation modelled from the original analogue hardware. You can either add it to your existing EQ curve, or simply use it without any EQ being applied for a subtle touch of extra colour.
Volume Correction The combination of a healthy dose of Drive combined with an additive EQ setting can start to push the output levels of the plug-in. Use the Volume control to tame the output level, which is also useful if you need to objectively compare before and after EQ. The Vintage Graphic EQ takes a different approach with 10 separate bands of cut or boost.
Try experimenting with extreme settings of cut and boost and note how Q becomes sharper at the extreme ends of the scale. Of course, the positioning and relative spacing of these bands forms a big part of the sound of the API Use tune to shift this position in relation to the key of your track.
Beware that boosting frequencies can disturb the balance of your mix and cause unwanted phase shift. You may need to adjust the gain of the track after boosting a frequency. When you need to EQ a track, these generally accepted frequency ranges are excellent starting places:.
You can divide the low and mid ranges even further to get more divisions. This is useful as your ear advances and you need more frequency range distinctions in your mixing. For more mixing tips, download the Mixing Cheat Sheet…. Enter your first name and email address and click the "Get Access Now! Your email address will not be published. These tips will help you when you do need EQ: Cut to balance track levels Boost to add color to tracks Cutting Frequencies If you want a track to cut through the mix, either cut the frequencies of any tracks that are masking the track or cut frequencies that are making the track unclear and muffled.
Masking is when two similar sounds are in the same frequency range and the louder sound masks the quieter sound. Analyze the frequency content of your track by clicking the Analyzer button below the frequency display. First Name. Email Address.
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